A double dose of grindy ‘70s skin flicks that played the storefront low-budget “shoe-box” theaters on 8th Avenue in NYC.
Tarzan in the Valley of Lust (50 mins.) – Tarzan as Edgar Rice Burroughs wished he could have written him – swingin’ from tree to tree while swingin’ with blond jungle beauty Jane and a buxom native girl who just can’t pass up a bulging loin cloth.
Adults Only / You Must Be 18 Years or Older to Order this Title Phil Prince was the last great porn director in New York City, author of some of the scariest, sleaziest, dirtiest porn ever committed to film. Prince’s films are a hot shot of pure perversion, sex for people who are so far gone they don’t know the difference between screwing and blowing their own brains out. Specializing in hardedge sex and BDSM fetishism, Prince and his circle of conspirators managed to crank out eye-popping smut that also works as a kind of edgy, street savvy melodrama.
Throughout the 1970s, Times Square, NYC, was the epicenter – the heart, the hub, the HQ, the capitol, the frigging mecca – of porn in the USA. Anything and everything and then some WENT – and kept comin’ back! – when it came to life, love, culture, vice, and entertainment in Times Square and on the Deuce and environs.
Adults Only / You Must Be 18 Years or Older to Order this Title They don’t make them like Tina Russell anymore. They can’t - because girls like Tina Russell aren’t “made.” That is, they’re no product of some big-time porn studio, which feeds all their potential talent through an “idealist machine,” and when they’re squeezed out the other end, they’re your typical fabricated porno star. Fake breasts, fake ass, fake personality… Fake, fake, fake.
Over 9 hours of the wildest, sexiest, goriest, campiest, most outrageous trailers ever committed to DVD, from contemporary cult erotica to hilarious sexy spoofs to extreme horror to grindhouse sexploitation and everything in between - get this 4 disc collection of Trailer Trash 1&2 today!
The TRAILER TRASH 2: GRINDHOUSE SLEAZE SAMPLER proudly presents over four hours of the sexiest, sleaziest, most outrageous trailers ever committed to DVD, from contemporary indie adult to hilarious vintage sleaze to extreme grindhouse sexploitation and everything in between. These are trailers meant to shock, astonish, and titilate with content that is 100% uncut and uncensored…trailers you will never see in your local multiplex for fear of inducing an audience uprising!
3-Disk DVD Set Includes: Millie’s Homecoming, Weirdos and the Oddballs, Sample West Coast One-Day-Wonder Eduardo Cemano is one of the bona fide pioneers of XXX filmmaking, a cineaste who wasn’t afraid to allow the sex act to blossom at the center of his creative efforts, a free spirit who truly believed that sex and artistic liberty were deeply and intimately connected.
This month’s installment of the After Hours Collector’s ever-expanding Storefront Series celebrates the guys and gals of the Golden Gate grind scene, offering up a tasty two-fer of Pacific flavored porn guaranteed to make you think an earthquake just struck in your pants. DISC 1 - WENDY's NAUGHTY NIGHT Direct by Nick Philips DISC 2 - SIV, A SWEDISH GIRL Direct by Nick Philips DISC 3 - BONUS FEATURE "EASY ALICE"
Josephine, a voluptuous redhead, is shacked up with all the big city businessmen, who hungrily partake of every inch of her young and exquisite body. A rare Euro feature! DVD also includes never-before-seen Euro 8mm film loops.
After Hours presents a prurient program of three raunchy grindhouse screwfests whose titles alone suggest a plethora of hot and uninhibited intercourse that definitively proves wild sex – reckless, untamed, no-holds-barred! – was THE only variety of sex performed in the ‘70s by the sex-addicted cognoscenti! Includes Penthouse Party Girl, Four Buddies, and Aphrodesians.
Hard-boiled detective figures were a noteworthy staple in early 1970s grindhouse, manifesting themselves in some of the earliest “hard action” productions coming out of L. A. Characters like “Nicky Butane,” “Sam Dobbs” and “Johnny Wadd” preceded the “neo-noir” new wave launched by Hollywood blockbusters such as Chinatown (1974) and The Long Goodbye (1973) and proved successful enough with audiences to inspire sequels and spin-offs.