Sexy Janet Turner (Barbie Leigh) is a special agent for The Midnight Syndicate, an ancient organization dedicated to destroying vampires. She\'s been sent undercover to Miami to locate and eliminate a vampire infiltration in a sizzling South Beach strip club. But it\'s worse than she thought. Countess Dracula herself (Chante\' Bey) has already seduced two of the dancers (Katie Ann Taylor and Brittany Prada), biting and sucking them into the world of the undead and she\'s not done.
The sizzling adventure begins the moment traveling student Bibi (Swedish starlet Marie Forsa) arrives at the home of her elegantly attractive aunt. Beautiful, vulnerable and naive, Bibi desperately yearns to experience the love of other women and feels its temptation pulling at her from every direction. Each day she finds herself in the company of her aunt\'s sexy young female friends and, soon, is unable to control her surging desires any longer.
For the first time on DVD come three erotica cult classics written & directed by legendary sexploitation auteur Joseph Sarno (Inga, Swedish Wildcats) and starring young Swedish sensation Marie Forsa. Shot in Germany in 1974, these beautifully produced features are landmarks of the genre and surely rank as the most provocative and sensual films ever made.
A Rare & Comprehensive Collection of Early Misty Mundae Erotic Shorts Directed By: William Hellfire, others Starring: Misty Mundae Misty Mundae (starring in internationally released Play-Mate of the Apes, Gladiator Eroticus, Lord of the G-Strings and SpiderBabe) was the hottest, most sought-after actress in erotic cinema. Her virginal, girl-next-door beauty and seemingly innocent demeanor seduce both men and women, creating a sexual energy that burns up the screen.
Included on this triple-feature “found in the trash, but don’t call it garbage” deluxe DVD edition are three Rene Bond rarities from the early 1970s, the kind of films that pious porn hounds used to enjoy in the dubious privacy of their neighborhood storefront cinema. What they lack in polish and professionalism they more than make up for in hot, grainy, 16 mm sex, the kind that once caused many a raincoat to rise and fall in ecstasy. So sit back, loosen your belt, and prepare yourself for a triple dose of the rapturous Rene.
At risk of finding a live chicken nailed to our door, the After Hours Cinema Grindhouse Triple Feature Series has once again decided to explore the dark world of occult science. Aliester Crowley may have first proposed the idea that sex and “magick” were a potent combination, but the large number of storefront features pairing the two together has more than convinced After Hours Cinema that voodoo and hoo-hoo share a kind of secret affinity. What else but black magic could explain the fact that so many sex films were made by so many people with no filmmaking ability at all?
In our continuing effort to contribute to the delinquency of the smut consuming public, After Hours Cinema is proud to present three cherry-popping favorites plucked fresh from the garbage can of the otherwise unwatchable. Nubile nymphs and teasing college honeys flesh out the bill of fare, jumbled together with the usual blend of cinematic ineptitude. So sit back, relax, and prepare yourself for a triple-shot of teenage titillation.
Legendary sexploitation pioneer Doris Wishman directed thirty grindhouse gems during her 42-year career including Blaze Starr Goes Nudist, Bad Girls Go to Hell and A Taste of Flesh. Wishman\'s first feature is the 1960 "nudist film" cult classic Hideout in the Sun, which Retro-Seduction Cinema proudly offers for the first time on home video. Recipient of a bold, colorful, hi-definition transfer from the only known film elements, the movie is presented in its original 1.33:1 aspect ratio and in a 16x9 anamorphic version.
In this bawdy West Germany comedy, Johnny has been left an inheritance by his recently deceased uncle- an infamous ladies' man. But there's a catch: Johnny has 7 days to bed the last 7 women his uncle seduced. Will he make the count, or go down trying? I Like the Girls Who Do is a hilarious romp through 1970s German bedrooms, available as a DVD-On-Demand release - with fully interactive menus and extras - from Seduction Cinema Studios.
Legendary arthouse sexploitation auteur Joseph Sarno was the brilliant creative force behind dozens of the greatest erotica films ever produced (Inga, Swedish Wildcats). His psychologically intense and sexually incendiary depictions of rampant female lust set grindhouse cinema screens on fire in the 1960s and 70s. Sarno films are heavily female-centric, and his women are strong, desirous and just plain naughty, and they always get what they want!
Ruby is a hot young waif looking for kicks and raunchy pleasures anywhere she can find them. First it's with Johnny the Pusher, and she uses her tight little body like a knockout punch - exhausting him into unconsciousness with a delirious bout of lovemaking. With Johnny's stash now easy for the picking, Ruby wanders off to her next adventure clad in a pharmaceuticals-induced haze and thigh-high vinyl boots.
Joan Rand (Tammy Latour) is a shrewd, sexy, disgruntled housewife and mother who yearns for the better things in life. Unbeknownst to her husband, and with the help of a friend, Joan turns her office stenography service into a thriving yet well-concealed prostitution ring that has local law enforcement (including character actor Joe Santos in an early role) baffled.
When Monique moves into a quiet suburban neighborhood, life - and death - will never be the same again. Monique is a modern-day vampire who spends her nights secretly seducing the town\'s female population, hoping her lustful bite can transform one of them into a worthy and eternal bedmate. Alas, none survive. Traci, the sexually unfulfilled woman next door, keeps a watchful eye on Monique, unaware of her new neighbor\'s monstrous identity.
Darian, a successful print journalist recently moved into a new town, is looking to pick up some choice writing assignments to keep her career on track. Answering a "Writers Wanted" ad in the local newspaper, she is introduced to "Flesh for Fantasy Publications," which specializes in erotic literature for women.
"Retro-Seduction Cinema" is proud to introduce classic 16mm Nudie Loops from the 1960s - newly transferred from original film prints, pre-mastered to High-Definition, and presented for the first time ever in widescreen format enhanced for 16x9 televisions…with newly recorded, retro musical accompaniment by THE UBANGIS and THE PINK DELICATES!
When college coed Cindy (Blair Williams) inherits the Old Dracovich Mansion, she gets a lot more than she bargained for. The victim of a violent death, Lady Dracovich (Erika Jordan, The Love Machine) stills haunts the house from beyond the grave, plotting to bring the dark forces of evil back to rule the Earth... but first, she needs to satisfy her age-old lust by possessing her new tenant! Also starring Carter Cruise (Deadly Pickup).
Studio: After Hours Cinema After Hours Cinema is proud to present the Pro-Ball Cheerleaders Grindhouse Triple Feature – over three sweaty hours of classic grindhouse exploitation! This amazing collection includes the feature films Pro-Ball Cheerleaders (1979), Oui Girls (1981), and - available for the first time on DVD - Three Shades of Flesh (1976), topped off with a trailer vault of classic adult features! And you can watch Pro-Ball Cheerleaders with the After Hours Cinema GRIND-IT!™ function.
Los Angeles was the epicenter of the porno earthquake in the early 1970s. By 1971, L. A. porn-mongers were cranking out a steady stream of low-budget sleaze, supplying most porn-friendly markets in the U. S. including even New York City, which would not make real inroads into porn production until 1973. Between 1969 and 1970, a number of transitional “XX” features began to find their way into circulation, films with an essentially soft-core nature but hardcore aspirations.
The Sexperts is essentially a morality tale comparing the lives of two women who come to the “Big City” in the hopes of finding fame and fortune. Connie Mason (Rusty Allen) is a virtuous young model solidly committed to a handsome young photographer (actor Ken Naarden under the pseudonym Ken Curtin). Liz Adams (Lana Lynn) is Connie’s jaded doppelganger: a road-hardened hustler with a lust for stardom, Liz exchanges sexual favors for a juicy part in an up-coming Broadway smasheroo.
A 3-Disc Audio and Video Exploitation Extravaganza Featuring Over 7 Hours of the Most Rare and Unusual Exploitation Trailers, TV Ads and Radio Spots from the Age of GRINDHOUSE CINEMA! Plus original new content inspired by the amazing fictional b-movie world of Stephen Romano’s exploitation novel, SHOCK FESTIVAL Take a wild journey through the exploitation movie scenes of the 1970s and 1980s with this collection of hundreds of actual previews of coming attractions, television commercials and radio spots for the sleaziest, sexiest most off-the-wall films ever made - all digitally re-master
Welcome to the most exclusive club in Hollywood - The Starlets Club. Only the hottest, most sexually insatiable young sluts live and work at “The Club”…and only a select few men can enjoy the limitless pleasures provided by these beautiful actresses who want to screw their way to the top. This unique motion picture – and the lucky male clientele – penetrates deep, hard and long for an intimate look at Hollywood Goddesses and their blushingly uninhibited pursuit of uninhibited sex, passion, fame and fortune!
One of the most shocking and visceral New York grind house films ever! Three ruthless criminals break out of prison and wreak havoc on New York City. Their reign of terror escalates when they kidnap and brutalize the warden’s daughter at her bridal shower. Directed by notorious NYC filmmaker Phil Prince who directed some of the scariest, sleaziest and dirtiest content ever committed to film. Prince and his circle of conspirators managed to crank out eye-popping cinema that also works as a kind of edgy, street savvy melodrama.
Enter Sylvia, one of the more endearingly off-kilter efforts to emerge from the New York grindhouse scene and a film with such unique and unpredictable attributes that its status as a sex film seems to be the least conspicuous of its virtues. A whacking feature that sees itself as a cutting-edge psychodrama and exploitation movie with unsolicited intellectual and artistic aspirations, Sylvia manifests much of the best of the psychotronic spirit.